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Cast: Amitabh Bachchan, Akshay Kumar, Priyanka Chopra, Shefali Shah, Boman Irani and Rajpal Yadav Radio Sargam Rating: 7/10 Background: This time around too, Aatish has written and directed the play Aavjo Vahela, Fari Malshu… which has been converted into a movie. People, who know the play, know what the film is about. Synopsis: In his excited overindulgence, he tends to overstep boundaries and helps him too much, much to the indignation of his wife Sumitra (Shefali Shah). Ishwar, by nature is a nice person… and is good to kids, especially orphans. And when he owns a toy making company, we know what he is playing with. But then he is accused to playing with his son’s future as well. One day, the unforeseen takes place. It is diagnosed that Ishwar has cancer and will die soon. Nothing can save him. There is no use of a great wife, a carefree son and a loving daughter-in-law. Now Ishwar realises that his son isn’t doing anything and just wasting his life away and needs to get a shock to get serious about life. So without explanation, he asks his son and daughter-in-law to leave the house. Aditya thinks his father is nuts and also that he has taken a turn for the worse. Only Ishwar and his wife apart from the doctor and the audience know the truth. Aditya now cannot do anything as he is a wastrel. He tries his hand at doing stunts – we know Akshay can do it well… and he gets a job as one. But a few dog bites later, Aditya learns his lesson. He now hates his father much more, thinking how cruel and merciless he has been. Critique: Shefali Shah is very good as well. Boman Irani as Priyanka’s father is adequate. Rajpal Yadav is funny. Some sequences straight out of the play are hilarious. They are tired and tested dialogues which add a lot of character to the film. Whenever a film is made from a book or a stage play, there is so much value addition to the film. The scenes between Rajpal and Boman and the scenes between Amitabh and Boman are too good. However at the end, Amitabh and Akshay ham a lot. The end is too stretched and isn’t as good. It lets the entire pace of the film down. The first half is mind-blowing and spectacular. It has the right mix and is perfect… like how Aankhen too was extremely classy. The songs are good, but they pop up far too often for comfort. Maybe the overseas audience will love it. Akshay Kumar seems to be the latest flavour abroad. His last release Bewafa, which was a very bad product, made more money abroad than what Lagaan did. Cinematography is fine for the film. It is not extraordinary though. Waqt is a good weepy, weepy film. Conclusion: Reviewed by: Tony |
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