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CHOR MACHAAYE SHOR - (Reviewed By Komal Nahta)

Director: David Dhawan
Music: Anu Malik
Lyrics: Dev Kohli & Others
Producer: Sanjay Tolani
Starring: Bobby Deol, Shilpa Shetty & Bipasha Basu

RATING: 4/10

Geeta Enterprises’ Chor Machaaye Shor (UA) is a wacky film with a wafer-thin story-line. A young lad, dreaming of becoming quick-rich, steals a Rs. 30-crore diamond with the help of three friends. Chased by the police, he hides it in a dilapidated building before being arrested. He is sentenced to two years’ imprisonment, and when he comes out of jail, he is shocked to find a police headquarters building standing in place of the dilapidated structure. Posing as a police inspector, he enters the headquarters with the intention of tracking down the diamond. What follows over the next few days is hilarious.

Inspired from the Hollywood film, Blue Streak, there’s a good part about the film and a bad part too. The good part is that writers Yunus Sejawal and Shah Nawaz Ahmed have come up with some very entertaining comedy scenes. The bad part is that the main story (of the diamond) has been written rather shabbily and also treated quite badly.

The drama is laced with incidents and gags which often entertain the audience brilliantly. Action scenes in good measure keep the masses happy. But, as said above, the implausible storyline and its shoddy treatment keep bothering the viewer about the lack of seriousness in even the serious parts of the film.

It appears that in a bid to create comedy, the makers have forgotten to take care of the serious side of the story. What’s more, the issue (a Rs. 30-crore diamond) is too serious to be taken so lightly. The film completely lacks in romance and emotions. Dialogues (Anwar Khan) are superb and complement the comic scenes (which themselves have been beautifully written) wonderfully.

Bobby Deol springs a surprise and proves that he is at ease in a comic role. He comes up with a performance that’s spontaneous. He is also good in action scenes and stunts. Shilpa Shetty has a tiny role and does well. She is excellent in dances, especially in the ‘Ishqan ishqan’ number. She exposes her terrific figure uninhibitedly. Bipasha Basu has an even smaller role and does justice to it. Shekhar Suman plays to the gallery and evokes laughter almost every time he comes on the screen. He shifts through the variety of characters he portrays, with admirable ease.

Om Puri is also splendid, often creating comedy with his expressions more than his dialogues. His character has been effectively used to raise the doubts that arise in the viewer’s mind and then to resolve them. Paresh Rawal deserves kudos for his comedy. As the crazy police commissioner, he is first-rate. He is also terrific as the Madrasi music teacher. Together, Bobby, Paresh, Shekhar and Om Puri provide comedy that’s pure fun. Ashish Vidyarthi and Rajat Bedi lend admirable support. Rajpal Yadav does well but is a bit too loud. Razak Khan excels. Ghanshyam, Guddi Maruti, Shashi Kiran and the others provide superb support.

David Dhawan seems to have bounced back in form with this film. His narration is smooth and his comedy punches evince audience laughter and participation. But his sidetracking of the main story and its casual treatment will definitely tell on the film’s box-office performance. In most of his other successful films, the lighter part of the drama has always been restricted to a few individuals but in this one, the comedy encompasses not just the police but the state too, giving the impression that everyone is brainless.

Anu Malik’s music is hummable. ‘Ishqan ishqan’ is the best song, followed by ‘Chadh gayi’ and ‘Aankhen hai teri badi badi’. In the second half, songs are placed too close to one another and they also have no situations. Song picturisations (Ganesh Acharya) are eye-filling. Camerawork (Harmect Singh) is very good. Action and stunts (Abbas Ali Moghul) are very well composed. Production values are rich.

On the whole, Chor Machaaye Shor has merits to entertain the audience and is also reasonably priced. But a dull start almost everywhere will come in the way of its smooth journey. Considering its dull start on the one hand and its intrinsic merits on the other, the film will definitely pick up by word of mouth. Business in Bombay and Maharashtra will be much above the average mark. In some other circuits, the film may sail safe but the producers’ deficit will remain.

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RELEASE DATE: 30th August 2002

 


REVIEWED BY KOMAL NAHTA

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