Such stories are very common in the west, but in India a viewer has to be open minded to enjoy the movie. It has a good storyline and has been well scripted. Overall the movie is a splendid work in cinema. Hats off to Ramu.

And of course, you’ve bounced in the boudoirs of Hollywood’s California Suite, years before the sextet here hops on to a Shahed Chand Safar Niji Ltd. Or a hideously pink bus which has video-shideo which no one watches. What grumps!

Amitabh Bachchan as Eklavya is amazingly restrained and delivers yet another power-packed performance. In the birds sequence he has done an incredible job. They say actors act with eyes. Here with eyes covered, Bachchan acts just with his facial expressions.

On the whole, UNDERTRIAL has a bold storyline and an engrossing second hour to stay in the viewer’s mind. At the box-office, the lack of face-value will tell on its business, although the film has the merits to rise with a strong word of mouth.

There are other characters who pop in and out of the movie. The gangland lingo and ambience is stark and realistic. The cop house Mumbaiya and Marathi is designed to scare, and it does both to the accused behind bars and the people watching.

‘Traffic Signal’ is entertaining in parts only. There are moments when the film looks completely pointless. It looks like a mere exposé of the lives of people living on traffic signal. And it gives no message.

After the release of Don, Excel Entertainment is back with the release of Honeymoon Travels Pvt Ltd. The music of the film can be rightly termed as ‘wow’.

The Gulzar - Pritam combination presents some hummable songs in Just Married. Thankfully, this album does not have the ‘typical Pritam music’ that one has been subjected to, of late. His choice of singers is also not the usual run, and has been handled well. As the film’s basic theme is marriage, most of the songs too are based on the same topic.

Sitting far away from the riots that occurred in Gujarat, one could only imagine the plight of the people there. Parzania (a true story) gives us the opportunity to witness it first hand on the silver screen.

When you make a film for as long as 3 ½ hours you’re taking a huge risk on weather or not you will manage to hold on to your audience’s attention through out and mind you that by no means is a minor task. Although with six love stories squeezed into one film what can one expect? But having said that and at the risk of sounding a wee bit cold when a cinegoer spends 160 rupees on his ticket to watch a film in a multiplex not to mention the superbly over priced food items that one would need eventually, all he wants is naturally his entertainment value. That’s where Salaam-e-Ishq finds itself on a see saw that rises but only to drop again which further rises and so on…