Esha (Vidya Balan) is here to snatch away the purpose of existence of the three men by breaking their hearts. She is not here to spare the one who betrayed her, even at the cost of the other two.
Sajid introduces the baby within the first 15 minutes of the show, keeping the plot slick and engrossing with the transformations of the leading actors from boys to men, and then to fathers.
The scenes are well crafted, with a punching storyline springing surprises every now and then. While the first part moves at a good pace, the second half needed a few cuts. The characters of Tanmay and Al go a little overboard to get the baby back. Here, a few sequences are well shot but lack the perfect execution.
Likewise, the climax will keep you busy and you will leave the theatre with a 24-carat smile.
Coming to technical aspects of filmmaking, director Sajid Khan deserves full credits to bring out the special unseen moments between his actors. The screenplay loses its pace in the second half. Cinematography is eye-catching and the blend of Hindi and English languages in the dialogues gels perfectly with the whole set up.
Well choreographed sequences elate the sound of music lent by Shankar-Ehsaan-Loy.
Actingwise, Akshay steals the show with his comic timings and fun-filled transformations. Quite impressive. Fardeen Khan delivers a clinically good performance, something that missed in his earlier comedies. Riteish Deshmukh, is not at his best as he tries very hard to match steps with his co-actors.
Vidya Balan is so good in the film, one cannot ignore but absorb her expressive swings added with her natural flair towards acting. Last but not the least, the baby is an absolute sweet heart.
Overall, Heyy Babyy matches the standards of a youthful sweet lime drink, along with the fizz and high of a one night affair! Order one for yourself..now.
Radiosargam Movie Rating: 7/10
Hanumant Bhansali
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It is good to have a movie once in a while that tingle the funny bolne in us but stories lifted of hollywood pictures is not something i m keen on. No offence but the indian cinema should keep these things into account that originality is the best way to go.
Shameer