They don’t lose heart and instead go to Chor Bazaar and buy spare parts of old cars and vehicles. Lal gives the money to Das and asks him to make a bus (look alike). Das assures Lal and asks him book passengers for the bus.
Lal starts spreading a rumour that his bus is the next palace on wheels. This way he manages to get around 15 passengers for his bus, which is nothing less than a crappy amalgamation of spare parts. The passengers go mad at the condition of the bus and demand their money back. Somehow, Lal manages to convince the passengers. This way the journey from Bombay to Goa begins.
In the bus, a passenger (Mac Mohan) is on a escapade from the hands of the kidnappers. He meets with an accident and just before his death, opens out the secret of the hidden treasure to the fellow passengers. This leads to a mad ride in search of the treasure.
The real problem of Bombay To Goa lies in its screenplay. The narration is made awful by including unnecessary gimmicks and jokes. The characterization consumes a lot of time and adds to the stretched screenplay. The concept is exciting but has been dragged overboard.
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