During the investigation, Rajveer comes across a murder which point Sehar as the prime suspect. Now, the entire mystery revolves around that particular Sunday. Is Sehar’s life really in sort of a danger or is she trying to play innocent to hide her dark side?
Sunday has no fundas, not for critics atleast. The director and his team have worked on to make a product which is viable for a few weeks at the box office. The first half holds your attention with its unfolding mystery and variety of characters but the second half loosens up a bit with a few item numbers and tracks forced into places.
Technically, Sunday has a whole bunch of positives and negatives in store for the moviegoers. Aseem Bajaj’s cinematography is class apart. Tushar Hiranandani, K Subhash and Robin Bhatt’s screenplay works but in parts. While, the film entertains in the first half, the second half loses out due to unwanted songs, action sequences and elastic storyline.
The suspense loses it elements towards the climax, thereby leaving the audience with little to awe about.
Considering Sunday as a comedy, the music of the film hardly makes an impact on the viewers. None of the songs stay on the lips when one leaves the theatre. The two item numbers picturized on Esha Deol and Tusshar Kapoor (as an item boy!) look good in music videos on television but when it comes to a film, the songs just slowen the pace of the film.
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[...] Hanumant Bhansali, Radio Sargam Rating: So-So …Ayesha is beautiful, and loyal to her character as ever… See full review [...]
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